{"id":5152,"date":"2013-10-29T10:46:25","date_gmt":"2013-10-29T08:46:25","guid":{"rendered":"http:\/\/www.baronrenouard.com\/blog\/?p=5152"},"modified":"2020-10-04T14:49:13","modified_gmt":"2020-10-04T12:49:13","slug":"courants-artistiques-de-la-nouvelle-ecole-de-paris","status":"publish","type":"post","link":"https:\/\/www.baronrenouard.com\/blog\/courants-artistiques-de-la-nouvelle-ecole-de-paris\/","title":{"rendered":"Liste des tendance picturales de l&rsquo;Ecole de Paris (1945-1975)"},"content":{"rendered":"\n<p>On voit tr\u00e8s vite que la nouvelle (ou seconde) \u00c9cole de Paris est compos\u00e9e de plusieurs tendances picturales tous issus de l&rsquo;\u00c9cole de Paris.<\/p>\n\n\n\n<p>Apr\u00e8s quelques recherches, nous avons opt\u00e9 pour cette segmentation datant de 1996, r\u00e9alis\u00e9e \u00e0 l&rsquo;occasion du 50e anniversaire de l&rsquo;\u00c9cole de Paris dont le Commissaire g\u00e9n\u00e9rale de l&rsquo;exposition \u00e9tait Henry Galy-Carles et la Commissaire adjointe, Lydia Harambourg, ce qui nous conforte dans notre choix :<\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong><span style=\"text-decoration: underline;\">L&rsquo;ABSTRACTION<\/span><\/strong><br \/>1945 &#8211; 1960<\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong>Le constructivisme :&nbsp;<\/strong>Genevi\u00e8ve Claisse, Nemours, Breuil, Busse, Dewasne, Damian, Pillet, Vasarely<\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong>L&rsquo;abstraction formelle :&nbsp;<\/strong>Bazaine, Esteve, Bertholle, Jo Downing, Longobardi, Gastaud, Maria, Manton<\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong>L&rsquo;abstraction lyrique :&nbsp;<\/strong>Soulages, Miotte, Bogart, Byzantios, Gillet, Abboud, Carrade, Guitet, Louttre<\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong>Le <a title=\"Naturalisme imaginaire abstrait\" href=\"http:\/\/www.baronrenouard.com\/blog\/henry-galy-carles\/\" target=\"_blank\" rel=\"noopener noreferrer\">naturalisme imaginaire abstrait <\/a>&#8211; \u00ab\u00a0paysagisme abstrait\u00a0\u00bb :&nbsp;<\/strong>Baron-Renouard, Lemoal, Debr\u00e9, Zao Wou-Ki, Benrath, Asse, Berthier, Bouqueton, Anita de Caro, Dufour, Duvillier, Denise Liote, Koening, Laubies, Laks, Levee, Gauthier, Nallard, Wogensky, Arnal, Chu The-Chun, Arthur-Bertrand<\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong>L&rsquo;expressionnisme abstrait :&nbsp;<\/strong>Pichette, Seund Ja Rhee<\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong>Le subconscientisme&nbsp;<\/strong>: Piaubert, Vulliamy, Pomar, Aeschbacher<\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong>Le n\u00e9o-expressionnisme figuratif :&nbsp;<\/strong>Garache, N&rsquo;Diaye<\/p>\n\n\n\n<p class=\"has-text-align-left\"><span style=\"text-decoration: underline;\"><strong>LE NOUVEAU REALISME<br \/><\/strong><\/span>1960 &#8211; 1975<\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong>Le nouveau r\u00e9alisme :&nbsp;<\/strong>Villegle<\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong>Le r\u00e9alisme europ\u00e9en :&nbsp;<\/strong>Stampfi, Schlosser, Klasen, Coulot, Monory, Telemaque&#8230;<\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong>La n\u00e9o-figuration post-abstrait :&nbsp;<\/strong>Velickovic, Tyzblat, Adami, Cremonini, Weiss<\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong>Les minimalistes :&nbsp;<\/strong>Jaccard,&#8230;<\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong>Les cin\u00e9tistes :&nbsp;<\/strong>Le Parc, Soto, Cruz Diez, Morellet,&#8230;<\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong>Les marginaux :&nbsp;<\/strong>Bellegarde, Berlini, Erro,&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Liste des tendance picturales des peintres de l&rsquo;Ecole de Paris de 1945-\u00e0 1975.<\/p>\n","protected":false},"author":1,"featured_media":7274,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[5],"tags":[142,351],"class_list":["post-5152","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","tag-ecole-de-paris","tag-liste-des-tendances","latest_post"],"_links":{"self":[{"href":"https:\/\/www.baronrenouard.com\/blog\/wp-json\/wp\/v2\/posts\/5152"}],"collection":[{"href":"https:\/\/www.baronrenouard.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.baronrenouard.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.baronrenouard.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.baronrenouard.com\/blog\/wp-json\/wp\/v2\/comments?post=5152"}],"version-history":[{"count":16,"href":"https:\/\/www.baronrenouard.com\/blog\/wp-json\/wp\/v2\/posts\/5152\/revisions"}],"predecessor-version":[{"id":7284,"href":"https:\/\/www.baronrenouard.com\/blog\/wp-json\/wp\/v2\/posts\/5152\/revisions\/7284"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.baronrenouard.com\/blog\/wp-json\/wp\/v2\/media\/7274"}],"wp:attachment":[{"href":"https:\/\/www.baronrenouard.com\/blog\/wp-json\/wp\/v2\/media?parent=5152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.baronrenouard.com\/blog\/wp-json\/wp\/v2\/categories?post=5152"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.baronrenouard.com\/blog\/wp-json\/wp\/v2\/tags?post=5152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}