{"id":2062,"date":"2012-08-25T15:16:58","date_gmt":"2012-08-25T13:16:58","guid":{"rendered":"http:\/\/www.baronrenouard.com\/blog\/?page_id=2062"},"modified":"2020-11-15T14:28:44","modified_gmt":"2020-11-15T12:28:44","slug":"blogs","status":"publish","type":"page","link":"https:\/\/www.baronrenouard.com\/blog\/ecole-de-paris\/blogs\/","title":{"rendered":"Bibliographie, \u00e9crits et pr\u00e9faces"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">&nbsp;Pr\u00e9faces et \u00e9crits (s\u00e9lection)<\/h4>\n\n\n\n<ul class=\"wp-block-list\"><li><a title=\"Permalink to LA PEINTURE FRAN\u00c7AISE par Gabriele Mandel\" href=\"http:\/\/www.baronrenouard.com\/blog\/gabriele-mandel-bologna-1924-milano-1o-luglio-2010-la-pittura-francese\/\" rel=\"bookmark\">\u00ab\u00a0La peinture Fran\u00e7aise\u00a0\u00bb<\/a> par <strong>Gabriele Mandel,<\/strong> 1955<\/li><li><a title=\"Permalink to BARON-RENOUARD ET L\u2019ART CLASSIQUE DE DEMAIN par R. Avit\" href=\"http:\/\/www.baronrenouard.com\/blog\/baron-renouard-et-lart-classique-de-demain-par-r-avit\/\" rel=\"bookmark\">\u00ab\u00a0Baron-Renouard et l&rsquo;art classique de demain\u00a0\u00bb<\/a> par <strong>R. Avit,<\/strong> 1956<\/li><li><a title=\"Permalink to DEVENIR ET TRADITION DE LA PEINTURE FRAN\u00c7AISE par George Waldemar\" href=\"http:\/\/www.baronrenouard.com\/blog\/george-waldemar\/\" rel=\"bookmark\">\u00ab\u00a0Devenir et tradition de la peinture Fran\u00e7aise\u00a0\u00bb par<\/a> <strong>Waldemar-George&nbsp;<\/strong>, 1959<\/li><li><a title=\"The Studio\" href=\"http:\/\/www.baronrenouard.com\/blog\/wp-content\/uploads\/2013\/06\/thestudioROC.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">\u00ab\u00a0Baron-Renouard\u00a0\u00bb<\/a> par <strong>Alexander Watt<\/strong>, 1959<\/li><li><a title=\"Permalink to \u00ab&nbsp;SA PROPRE LIBERT\u00c9&nbsp;\u00bb par Alexander Watt\" href=\"http:\/\/www.baronrenouard.com\/blog\/alexander-watt\/\" rel=\"bookmark\">\u00ab\u00a0Sa propre libert\u00e9\u00a0\u00bb<\/a> par <strong>Alexander Watt<\/strong>, 1962<\/li><li><a href=\"http:\/\/www.baronrenouard.com\/blog\/de-linfluence-du-fauvisme-sur-la-peinture-contemporaine-par-galy-carles\/\" target=\"_blank\" rel=\"noopener noreferrer\">\u00ab\u00a0De l\u2019influence du Fauvisme sur la peinture contemporaine\u00a0\u00bb <\/a>par <strong>H. Galy-Carles,<\/strong> 1965<\/li><li><a href=\"http:\/\/www.baronrenouard.com\/blog\/naturalisme-imaginaire-abstrait-par-henry-galy-carles\/\" target=\"_blank\" rel=\"noopener noreferrer\">\u00ab\u00a0Naturalisme imaginaire abstrait\u00a0\u00bb<\/a> par <strong>Henry Galy-Carles<\/strong>, 1965<\/li><li><a title=\"Regard sur la peinture contemporaine\" href=\"http:\/\/www.baronrenouard.com\/blog\/wp-content\/uploads\/2013\/04\/Regard-L.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">\u00ab\u00a0Regards sur la Peinture Contemporaine\u00a0\u00bb<\/a>, 1968<\/li><li><a href=\"http:\/\/www.baronrenouard.com\/blog\/camille-bourniquel\/\">\u00ab\u00a0Difficult\u00e9 d\u2019\u00eatre\u00a0\u00bb<\/a> par <strong>Camille Bourniquel<\/strong>, 1968<\/li><li><a title=\"Permalink to \u00ab&nbsp;LE PROMENEUR QUI FLANE&nbsp;\u00bb de Jean-Pierre Missoffe dans le Demi-si\u00e8cle\" href=\"http:\/\/www.baronrenouard.com\/blog\/jean-pierre-missoffe-ecrit-sur-baron-renouard-dans-le-demi-siecle\/\" rel=\"bookmark\">\u00ab\u00a0Le promeneur qui flane\u00a0\u00bb<\/a> de <strong>Jean-Pierre Missoffe<\/strong>, 1973<\/li><li><a href=\"http:\/\/www.baronrenouard.com\/blog\/andre-verdet\/\" target=\"_blank\" rel=\"noopener noreferrer\">\u00ab\u00a0La fronti\u00e8re int\u00e9rieure\u00a0\u00bb <\/a>d&rsquo;<strong>Andr\u00e9 Verdet,<\/strong> 1973<\/li><li><a href=\"http:\/\/www.baronrenouard.com\/blog\/xavier-xuriguera\/\">\u00ab\u00a0Baron-renouard\u00a0\u00bb<\/a> de <strong>Xavier Xuriguera<\/strong><\/li><li><a href=\"http:\/\/www.baronrenouard.com\/blog\/wp-content\/uploads\/2013\/06\/Lettres-arts.pdf\">\u00ab\u00a0Lettre \u00e0 ma fille pour ses douze ans\u00a0\u00bb <\/a>par <strong>Vadime Elisseeff,<\/strong> 1978<\/li><li><a href=\"http:\/\/www.baronrenouard.com\/blog\/wp-admin\/post.php?post=300&amp;action=edit&amp;lang=fr\">\u00ab\u00a0Introduction de la po\u00e9tique de Baron-Renouard\u00a0\u00bb<\/a> par <strong>Jean Rudel<\/strong><\/li><li><a title=\"Permalink to \u00ab&nbsp;UN IMPRESSIONNISTE DU NON FIGURATIF&nbsp;\u00bb par Eug\u00e8ne Ionesco\" href=\"http:\/\/www.baronrenouard.com\/blog\/prefaceeugene-ionesco\/\" rel=\"bookmark\">\u00ab\u00a0Un impressioniste du non figuratif\u00a0\u00bb<\/a> par <strong>Eug\u00e8ne Ionesco<\/strong>, 1981<\/li><li><a href=\"http:\/\/www.baronrenouard.com\/blog\/art-contemporain\/\" target=\"_blank\" rel=\"noopener noreferrer\">\u00ab\u00a0Une oeuvre qui marche vers la libert\u00e9\u00a0\u00bb <\/a>par <strong>Fran\u00e7ois Bergot<\/strong>, 1986<\/li><li><a href=\"http:\/\/www.baronrenouard.com\/blog\/andre-parinaud\/\">\u00ab\u00a0La peinture c&rsquo;est une musique\u00a0\u00bb<\/a> par <strong>Andr\u00e9 Parinaud<\/strong>, 1986<\/li><li><a title=\"Permalink to \u00ab&nbsp;PO\u00c8TE ET MUSICIEN&nbsp;\u00bb de Charles Le Quintrec\" href=\"http:\/\/www.baronrenouard.com\/blog\/charles-le-quintrec\/\" rel=\"bookmark\">\u00ab\u00a0Po\u00e8te et musicien\u00a0\u00bb<\/a> de <strong>Charles Le Quintrec<\/strong>, 1986<\/li><li><a title=\"Permalink to \u00ab&nbsp;UN PROMENEUR DOT\u00c9 D\u2019UN OEIL DE LYNX&nbsp;\u00bb de Jean Rollin\" href=\"http:\/\/www.baronrenouard.com\/blog\/galerie-inard\/\" rel=\"bookmark\">\u00ab\u00a0Un promeneur dot\u00e9 d\u2019un oeil de Lynx\u00a0\u00bb <\/a>de <strong>Jean Rollin<\/strong>, 1993<\/li><li><a title=\"Permalink to \u00ab&nbsp;BARON-RENOUARD ET LA NOUVELLE \u00c9COLE DE PARIS&nbsp;\u00bb par Lydia Harambourg\" href=\"http:\/\/www.baronrenouard.com\/blog\/lydia-harambourg\/\" rel=\"bookmark\">\u00ab\u00a0Baron-Renouard et la Nouvelle \u00e9cole de Paris\u00a0\u00bb<\/a> par <strong>Lydia Harambourg, <\/strong>1993<\/li><li><a title=\"Valeurs des arts\" href=\"http:\/\/www.baronrenouard.com\/blog\/wp-content\/uploads\/2013\/06\/Valeurs-des-arts.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">\u00ab\u00a0Baron-Renouard\u00a0\u00bb,<\/a> Valeurs des arts,<strong> T. Demaubus, <\/strong>2000<\/li><li><a title=\"L'univers des arts\" href=\"http:\/\/www.baronrenouard.com\/blog\/wp-content\/uploads\/2013\/06\/Univers-des-arts.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">\u00ab\u00a0Baron-renouard\u00a0\u00bb, <\/a>Univers des arts, n\u00b050, <strong>Lucie Baillencourt, <\/strong>2000<\/li><li><a href=\"http:\/\/www.baronrenouard.com\/blog\/fondation-benedictine\/\" target=\"_blank\" rel=\"noopener noreferrer\">\u00ab\u00a0Baron-Renouard\u00a0\u00bb,<\/a> <strong>G\u00e9rard Mathias<\/strong>, 2000<\/li><li><a title=\"Japan international artists society\" href=\"http:\/\/www.baronrenouard.com\/blog\/wp-content\/uploads\/2013\/06\/JIJS-roc.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">\u00ab\u00a0L&rsquo;Art reflex de survie&#8230;\u00a0\u00bb<\/a>, Ed. Japan International Artist society, 2002<\/li><li><a title=\"Plus d'info\" href=\"http:\/\/bibliothequekandinsky.centrepompidou.fr\/clientBookline\/service\/reference.asp?INSTANCE=INCIPIO&amp;OUTPUT=PORTAL&amp;DOCID=0359509&amp;DOCBASE=CGPP\" target=\"_blank\" rel=\"noopener noreferrer\">\u00ab\u00a0Salon d\u2019Automne, 1903-2003 : l\u2019Art en effervescence\u00a0\u00bb<\/a>, Casta Diva Ed., nov. 2003<\/li><li><a title=\"Permalink to GEORGES BRAQUE ET BARON-RENOUARD, comparaison de No\u00ebl Coret\" href=\"http:\/\/www.baronrenouard.com\/blog\/fauvisme\/\" rel=\"bookmark\">\u00ab\u00a0Georges Braque et Baron-Renouard\u00a0\u00bb,<\/a> comparaison de <strong>No\u00ebl Coret,<\/strong> 2005<\/li><\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Conf\u00e9rences, TV, Films<\/h4>\n\n\n\n<p><a title=\"Couverture du Livre\" href=\"http:\/\/www.baronrenouard.com\/blog\/wp-content\/uploads\/2013\/04\/Ecole-de-Paris.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">\u00c9cole de Paris<\/a>, Art Contemporain (Phnom-Penh, d\u00e9cembre 1966) &#8211;&nbsp;Espace dans la peinture moderne \u2013 La Peinture et la Musique \u2013 \u00ab&nbsp;Unesco, Architecture, Industrie, Arts Plastiques&nbsp;\u00bb (1986) \u2013 Les Arts de la Rue (Dunkerque, 1988) \u2013 symposium \u00ab&nbsp;L\u2019Art de la Cit\u00e9&nbsp;\u00bb (Prague, 1987) \u2013 \u00ab&nbsp;D\u00e9fense des Arts Plastiques&nbsp;\u00bb (Palais de l\u2019Europe, Strasbourg, janvier 1991) \u2013 Participation \u00e0 divers jurys dont le Festival International du Film d\u2019Art (de1989 \u00e0 1991) \u2013 Film de l\u2019exposition au mus\u00e9e de Cagnes-sur-Mer \u2013 Film pour la Biblioth\u00e8que Nationale (<em>Imago<\/em>, 1996) \u2013 Film de Jean Desvilles (1999).<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">S\u00e9lection d&rsquo;articles de presse entre 1947 et 1955 : <a title=\"Articles de presse\" href=\"http:\/\/www.baronrenouard.com\/blog\/wp-content\/uploads\/2013\/04\/Articles-de-presse-L.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">voir la s\u00e9lection<\/a><\/h4>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;Pr\u00e9faces et \u00e9crits (s\u00e9lection) \u00ab\u00a0La peinture Fran\u00e7aise\u00a0\u00bb par Gabriele Mandel, 1955 \u00ab\u00a0Baron-Renouard et l&rsquo;art classique de demain\u00a0\u00bb par R. Avit, 1956 \u00ab\u00a0Devenir et tradition de la peinture Fran\u00e7aise\u00a0\u00bb par Waldemar-George&nbsp;, 1959 \u00ab\u00a0Baron-Renouard\u00a0\u00bb par Alexander Watt, 1959 \u00ab\u00a0Sa propre libert\u00e9\u00a0\u00bb par Alexander Watt, 1962 \u00ab\u00a0De l\u2019influence du Fauvisme sur la peinture contemporaine\u00a0\u00bb par H. Galy-Carles, 1965 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7332,"parent":79,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-2062","page","type-page","status-publish","has-post-thumbnail","hentry","latest_post"],"_links":{"self":[{"href":"https:\/\/www.baronrenouard.com\/blog\/wp-json\/wp\/v2\/pages\/2062"}],"collection":[{"href":"https:\/\/www.baronrenouard.com\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.baronrenouard.com\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.baronrenouard.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.baronrenouard.com\/blog\/wp-json\/wp\/v2\/comments?post=2062"}],"version-history":[{"count":156,"href":"https:\/\/www.baronrenouard.com\/blog\/wp-json\/wp\/v2\/pages\/2062\/revisions"}],"predecessor-version":[{"id":7394,"href":"https:\/\/www.baronrenouard.com\/blog\/wp-json\/wp\/v2\/pages\/2062\/revisions\/7394"}],"up":[{"embeddable":true,"href":"https:\/\/www.baronrenouard.com\/blog\/wp-json\/wp\/v2\/pages\/79"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.baronrenouard.com\/blog\/wp-json\/wp\/v2\/media\/7332"}],"wp:attachment":[{"href":"https:\/\/www.baronrenouard.com\/blog\/wp-json\/wp\/v2\/media?parent=2062"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}