{"id":2280,"date":"2012-08-25T15:16:58","date_gmt":"2012-08-25T13:16:58","guid":{"rendered":"http:\/\/www.baronrenouard.com\/blog\/?page_id=2280"},"modified":"2020-10-16T21:34:13","modified_gmt":"2020-10-16T19:34:13","slug":"%e5%8f%82%e8%80%83%e6%96%87%e7%8c%ae","status":"publish","type":"page","link":"https:\/\/www.baronrenouard.com\/blog\/ja\/%e3%83%90%e3%83%ad%e3%83%b3%e3%83%bb%e3%83%ab%e3%83%8c%e3%82%a2%e3%83%bc%e3%83%ab%e4%ba%ba%e7%89%a9%e7%b4%b9%e4%bb%8b\/%e5%8f%82%e8%80%83%e6%96%87%e7%8c%ae\/","title":{"rendered":"\u53c2\u8003\u6587\u732e"},"content":{"rendered":"\n<div class=\"wp-block-image size-full wp-image-212\"><figure class=\"alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"113\" height=\"159\" src=\"http:\/\/www.baronrenouard.com\/blog\/wp-content\/uploads\/2012\/05\/fauvisme.jpg\" alt=\"\" class=\"wp-image-212\"\/><figcaption>Fauvism the colour heritage by No\u00ebl Coret, France Loisir 2005<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>Bibliography&nbsp;<\/strong><br \/>Arts, The Studio (Londres), Connaissance des Arts, Prisme des Arts, Pittura Francese (Milan), Les Parisiens (Tokyo), \u00c9cole de Paris, Catalogue Bolafi (Italie), Regards sur la Peinture Contemporaine, Le Monde Contemporain Bordas, Encyclop\u00e9die du XXs\u2019\u00b0e si\u00e8cle Larousse, The Connaisseur (Londres), Misu\u00e9 (Tokyo), La L\u00e9gion Violette, Le Demi-si\u00e8cle, Revue Polytechnique 1976, Galerie Jardin des Arts 1978, The Tsukuru 1979, Art Vision 1981,The Nippon Bijutsu 1981, Galerie des Arts, F\u00e9v. 1984, Nagomi, Mai 1984, L\u2019Oeil, L\u2019Officiel 1993, L\u2019Europe Bulgarie 1995, La Route de la Soie 1996, A Paris,&nbsp;Caf\u00e9s d\u2019artistes et leurs l\u00e9gendes 1999-2000, Publication Le Yomiuri Shimbun, La Technique de l\u2019Art sous la direction de Jean Rudel, Elisabeth Brit, Sandra Costa, Philippe Piguet, 1999 Flammarion.&nbsp;L\u2019Art Abstrait de Michel Ragon, Michel Seuphor 1974, Benezit, Histoire du Salon d\u2019Automne de 1903 \u00e0 nos jours sous la direction de No\u00ebl Coret, \u00c9cole de Paris 1945-1965 par Lydia Harambourg (\u00c9ditions Ides et Calendes, 1993), Fauvisme la couleur en h\u00e9ritage de No\u00ebl Coret, \u00e9dition France Loisir 2005.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft is-resized\"><a href=\"http:\/\/www.baronrenouard.com\/blog\/wp-content\/uploads\/2012\/08\/28028442_6603345.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.baronrenouard.com\/blog\/wp-content\/uploads\/2012\/08\/28028442_6603345.jpg\" alt=\"\" class=\"wp-image-2190\" width=\"200\" height=\"271\"\/><\/a><figcaption>\u00c9cole de Paris par Lydia Harambourg<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>Symposium, TV, Films<br \/><\/strong>\u00c9cole de Paris, Art Contemporain (Phnom-Penh, d\u00e9cembre 1966) &#8211;&nbsp;Espace dans la peinture moderne \u2013 La Peinture et la Musique \u2013 \u00ab&nbsp;Unesco, Architecture, Industrie, Arts Plastiques&nbsp;\u00bb (1986) \u2013 Les Arts de la Rue (Dunkerque, 1988) \u2013 symposium \u00ab&nbsp;L\u2019Art de la Cit\u00e9&nbsp;\u00bb (Prague, 1987) \u2013 \u00ab&nbsp;D\u00e9fense des Arts Plastiques&nbsp;\u00bb (Palais de l\u2019Europe, Strasbourg, janvier 1991) \u2013 Participation \u00e0 divers jurys dont le Festival International du Film d\u2019Art (de1989 \u00e0 1991) \u2013 Film de l\u2019exposition au mus\u00e9e de Cagnes-sur-Mer \u2013 Film pour la Biblioth\u00e8que Nationale (<em>Imago<\/em>, 1996) \u2013 Film de Jean Desvilles (1999).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bibliography&nbsp;Arts, The Studio (Londres), Connaissance des Arts, Prisme des Arts, Pittura Francese (Milan) [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1473,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-2280","page","type-page","status-publish","hentry","latest_post"],"_links":{"self":[{"href":"https:\/\/www.baronrenouard.com\/blog\/ja\/wp-json\/wp\/v2\/pages\/2280"}],"collection":[{"href":"https:\/\/www.baronrenouard.com\/blog\/ja\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.baronrenouard.com\/blog\/ja\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.baronrenouard.com\/blog\/ja\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.baronrenouard.com\/blog\/ja\/wp-json\/wp\/v2\/comments?post=2280"}],"version-history":[{"count":13,"href":"https:\/\/www.baronrenouard.com\/blog\/ja\/wp-json\/wp\/v2\/pages\/2280\/revisions"}],"predecessor-version":[{"id":7416,"href":"https:\/\/www.baronrenouard.com\/blog\/ja\/wp-json\/wp\/v2\/pages\/2280\/revisions\/7416"}],"up":[{"embeddable":true,"href":"https:\/\/www.baronrenouard.com\/blog\/ja\/wp-json\/wp\/v2\/pages\/1473"}],"wp:attachment":[{"href":"https:\/\/www.baronrenouard.com\/blog\/ja\/wp-json\/wp\/v2\/media?parent=2280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}