{"id":4204,"date":"2012-05-18T08:21:12","date_gmt":"2012-05-18T06:21:12","guid":{"rendered":"http:\/\/www.baronrenouard.com\/blog\/?p=4204"},"modified":"2013-04-05T17:58:20","modified_gmt":"2013-04-05T15:58:20","slug":"gerard-xuriguera-art-critic","status":"publish","type":"post","link":"https:\/\/www.baronrenouard.com\/blog\/en\/gerard-xuriguera-art-critic\/","title":{"rendered":"Gerard Xuriguera, Art Critic"},"content":{"rendered":"<p style=\"text-align: justify;\">Baron-Renouard understood for a long time that painting shall not only be the living memory of view, but\u00a0the reflection of intimate states as well. He learnt, by the same way, from oriental people, not to try to dominate\u00a0nature, but to adapt himself to its influence. Therefore, his adventure could only show significant flows of the\u00a0universe, here exhibited by a set of equivalence with halting sound.<\/p>\n<p style=\"text-align: justify;\">But in spite of improvisation, the organization is full of vigilance, well-made and arranged by regulating hand,\u00a0which gathers forms and colours in the same motion. The autonomy of parts, separating blank zones and others full\u00a0of vitality, respects the \u00abGold Number\u00bb. Eventually, one will understand, through a lively and worrying speaking\u00a0way, that Baron-Renouard uses experience and efficiency with \u00abfusing\u00bb gesture, but always under control.<\/p>\n<p style=\"text-align: justify;\">Powerful and subtle, warm and modest, Baron-Renouard&#8217;s works invite us as much for mediation as for\u00a0communion with life.<\/p>\n<p style=\"text-align: justify;\">Gerard Xuriguera<br \/>\nArt Critic<br \/>\n<em>extract<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Baron-Renouard understood for a long time that painting shall not only be the living memory of view, but\u00a0the reflection of intimate states as well. He learnt, by the same way, from oriental people, not to try to dominate\u00a0nature, but to adapt himself to its influence. Therefore, his adventure could only show significant flows of the\u00a0universe, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[127],"tags":[],"class_list":["post-4204","post","type-post","status-publish","format-standard","hentry","category-art-critic-and-journalist","latest_post"],"_links":{"self":[{"href":"https:\/\/www.baronrenouard.com\/blog\/en\/wp-json\/wp\/v2\/posts\/4204"}],"collection":[{"href":"https:\/\/www.baronrenouard.com\/blog\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.baronrenouard.com\/blog\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.baronrenouard.com\/blog\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.baronrenouard.com\/blog\/en\/wp-json\/wp\/v2\/comments?post=4204"}],"version-history":[{"count":2,"href":"https:\/\/www.baronrenouard.com\/blog\/en\/wp-json\/wp\/v2\/posts\/4204\/revisions"}],"predecessor-version":[{"id":4219,"href":"https:\/\/www.baronrenouard.com\/blog\/en\/wp-json\/wp\/v2\/posts\/4204\/revisions\/4219"}],"wp:attachment":[{"href":"https:\/\/www.baronrenouard.com\/blog\/en\/wp-json\/wp\/v2\/media?parent=4204"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.baronrenouard.com\/blog\/en\/wp-json\/wp\/v2\/categories?post=4204"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.baronrenouard.com\/blog\/en\/wp-json\/wp\/v2\/tags?post=4204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}