{"id":1999,"date":"2012-05-17T16:01:29","date_gmt":"2012-05-17T14:01:29","guid":{"rendered":"http:\/\/www.baronrenouard.com\/blog\/?p=1999"},"modified":"2013-04-05T18:09:50","modified_gmt":"2013-04-05T16:09:50","slug":"testimony-of-eugene-ionesco","status":"publish","type":"post","link":"https:\/\/www.baronrenouard.com\/blog\/en\/testimony-of-eugene-ionesco\/","title":{"rendered":"Eug\u00e8ne Ionesco, writer"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Eug\u00e8ne Ionesco<\/strong>, writer<\/p>\n<p style=\"text-align: justify;\">Baron Renouard invites us to a stroll in the immediate spheres. When looking at his paintings we have the feeling of a soaring, a journey in the reality of a make-believe. Real as a matter of fact as the omaginary is a spitiyual truth, realisms being only fiddled and tendentious documents.<\/p>\n<p style=\"text-align: justify;\">Baron Renouard&#8217;pilot eye has not been without influencing the glance of the painter. Therefore, we may say that Baron Renouard is a realiste of space, yet , his large and luminous patches are very precise and constructed \u00a0and constructed are his paintings. They are &#8220;Cezannian&#8221; architectures above and beyond the Earth.<\/p>\n<p style=\"text-align: justify;\">With Baron Renouard, it seems to me it is already beyond the human, a sensibility colouristically diversified such as the last traces of our feelings, our spirits.<\/p>\n<p style=\"text-align: justify;\"><em>This is an extract<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Eug\u00e8ne Ionesco, writer Baron Renouard invites us to a stroll in the immediate spheres. When looking at his paintings we have the feeling of a soaring, a journey in the reality of a make-believe. Real as a matter of fact as the omaginary is a spitiyual truth, realisms being only fiddled and tendentious documents. Baron [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[127],"tags":[],"class_list":["post-1999","post","type-post","status-publish","format-standard","hentry","category-art-critic-and-journalist","latest_post"],"_links":{"self":[{"href":"https:\/\/www.baronrenouard.com\/blog\/en\/wp-json\/wp\/v2\/posts\/1999"}],"collection":[{"href":"https:\/\/www.baronrenouard.com\/blog\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.baronrenouard.com\/blog\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.baronrenouard.com\/blog\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.baronrenouard.com\/blog\/en\/wp-json\/wp\/v2\/comments?post=1999"}],"version-history":[{"count":5,"href":"https:\/\/www.baronrenouard.com\/blog\/en\/wp-json\/wp\/v2\/posts\/1999\/revisions"}],"predecessor-version":[{"id":4227,"href":"https:\/\/www.baronrenouard.com\/blog\/en\/wp-json\/wp\/v2\/posts\/1999\/revisions\/4227"}],"wp:attachment":[{"href":"https:\/\/www.baronrenouard.com\/blog\/en\/wp-json\/wp\/v2\/media?parent=1999"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.baronrenouard.com\/blog\/en\/wp-json\/wp\/v2\/categories?post=1999"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.baronrenouard.com\/blog\/en\/wp-json\/wp\/v2\/tags?post=1999"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}