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Lydia Harambourg,
Alexander WATT,
Camille Bourniquel,
François Bergot,
Gérard Xuriguera,
Jean Rollin,
Svetlin Roussev,
André Parinaud,
Gérard Mathias,
Henry Galy-Carles,
Vadime Elisseeff,
André Verdet,
Ch. Dong,
J.Rudel,
Milan Milanov,
George Waldemar,
Charles Le Quintrec,
Jean-Pierre Crespelle,
Xavier Daufresne de la Chevalerie, Pierre Sauvaigo... en cliquant ici
Lydia HARAMBOURG - Historian-Art critic, author of The School of Paris 1945-1965
"François Baron-Renouard made the choice of a language of his time, in osmosis with the authenticity of a formal and poetic approach which finds its equivalents between the real and the imaginary. Art is invention, as nature was by the most demiurge of surveyors. Like a number of modern artists since the revolution implemented by cubism, Baron-Renouard reinvented nature by resorting to a convergence of shapes and of colours. And so he blows life into his works through tactile space and the light which it projects. Construction and colourful irradiation are the two poles around which the work of Baron-Renouard is constructed."
"His deep sense of a plastic plenitude, he acquired from his professors Legueult and Brianchon, the group Poetic Reality and Desnoyer for the density of space, from a synthesis between geometric relations and the diversity of sensorial values. But far beyond the pictorial heritage which he masters, he knows he will only achieve this verse by representing reality in what is "true" "

Lythography
